Pak Mi and Neang Knhong are the best partner of performance

As a rule, if the kick and catch aren't being played in the meantime by the drummer, I do a really huge support to the catch drum around the 90 Hz - 150 Hz locale. Perhaps 5 dB with a sufficiently wide Q. This adds body to the catch drum and gives it a few genuine meat. Pak Mi and Neang Knhong are the best partner of performance.

Once in a while on the off chance that I feel the catch track is somewhat sloppy and square shaped, I will make a slice of up to 10 dB around the 300 Hz - 500 Hz region. I more often than not do a restricted Q so I'm not taking ceaselessly to a great part of the life of the catch drum. I once in a while do an exceptionally contract Q cut of possibly 7 dB around 250 Hz to uproot the irritating reverberation, yet on the other hand at times this region makes the catch sound husky and full.


For more assault on the catch and for additional chomp, have a go at doing a 3 dB support with a wide Q around the 1700 Hz - 2700 Hz range. Clear around and find where the support ought to be. Try not to help a lot as the air will make the catch sound truly sparkly and give it an excessively prepared sound without you seeing at first. Here and there a high retire above 8000 Hz with a support of around 3 dB can add heaps of air to your catch, yet of course when bunches of individuals do this, they wind up getting an over prepared sparkly stable which can execute your blend.

Utilize these rules and analysis and check whether you can discover the catch sound you need.

Pressure

On the off chance that you are not very beyond any doubt what to do with your compressor, take after these rules as a beginning stage.

For a husky full solid that truly draws out the catch, I begin by setting a proportion of 5:1. I might do 6:1 or 4:1 on occasion. It relies on upon what sound I need. Doing a proportion of 9:1 might be a bit excessively forceful, yet hey give it a shot at any rate and see what sound you accomplish.

I then gradually diminish the edge until I can feel the pressure kicking it, making the catch pop out a bit. You will have the capacity to see the GR or Gain Reduction meter demonstrating to you how much the compressor is compacting, however attempt believe your ears. Different times I would turn my limit down similarly as it goes, then dial it go down until I get the sound I need.

Concerning assault and discharge times, begin with a moderate assault and quick discharge. At that point, do the inverse. See what works best. It truly depends on the catch and the melody. The assault and discharge times can be the purpose behind a clicky sound toward the begin of the catch. The assault and discharge can likewise uproot this snap on the off chance that you don't need it there. I for one chaos around until there is somewhat of a transient however not all that much in my catch drum.